Venom
2024
While employed at Territory, we were brought in towards the ‘last dance’ of production to create a series of screen graphics for Sony’s final instalment of the Venom film trilogy. Joining late in the process meant that all graphics had to be designed, animated, and composited within a short timeframe.
The team was small, with myself serving as lead designer and animator. We were tasked with delivering graphics for a number of shots, working in Adobe Illustrator, After Effects, and Cinema 4D. Our ability to turn around high-quality work at speed quickly built trust with the production team, resulting in us being awarded additional shots as the project progressed.
Often the briefs were deliberately minimal, allowing us to concept, design, and deliver directly for production with efficiency. Thanks to the strength of our approach, we also secured compositing work—an extension of the project that grew directly from the expertise we demonstrated throughout.
While employed at Territory, we were brought in towards the ‘last dance’ of production to create a series of screen graphics for Sony’s final instalment of the Venom film trilogy. Joining late in the process meant that all graphics had to be designed, animated, and composited within a short timeframe.
The team was small, with myself serving as lead designer and animator. We were tasked with delivering graphics for a number of shots, working in Adobe Illustrator, After Effects, and Cinema 4D. Our ability to turn around high-quality work at speed quickly built trust with the production team, resulting in us being awarded additional shots as the project progressed.
Often the briefs were deliberately minimal, allowing us to concept, design, and deliver directly for production with efficiency. Thanks to the strength of our approach, we also secured compositing work—an extension of the project that grew directly from the expertise we demonstrated throughout.
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